It is often the physical, material aspects of language (certain combinations of letters, certain sounds-regardless of the meaning of words in which they occur) that signals the presence of a genotext.
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The geno-song is the singing and the speaking voice, the space where significations germinate ‘from within language and in its very materiality’; it forms a signifying play having nothing to do with communication, representation (of feelings), expression; it is that apex (or that depth) of production where the melody really works at the language-not at what it says, but the voluptuousness of its sounds-signifiers
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