Jouissance sources

  • Barthes, Roland. Image Music Text. Trans. Stephen Heath. London: Fontana, 1977.
  • Barthes, Roland . The Grain of the Voice. New York: Vintage, 2010.
  • Barthes, Roland . The Pleasure of the Text. Trans. Richard Miller. Hill & Wang, 1980.
  • Barthes, Roland . The Responsibility of Forms: Critical Essays on Music, Art and Representation. Oakland: University of California Press, 1992.
  • Baudrillard, Jean. The Spirit of Terrorism. London: Verso, 2013.
  • Beckett, Samuel. The Unnamable. London: Faber and Faber, 2010.
  • Berardi, Franco. “Malinche and the Automaton.” Adbusters (#116) (2014).
  • Best, Beverley. ““Fredric Jameson Notwithstanding”: The Dialectic of Affect.” Rethinking Marxism1 (2011): 60-82.
  • Bewes, Timothy. Reification: or the Anxiety of Late Capitalism. London: Verso, 2002.
  • Bleiker, Roland. “Art After 9/11.” Art and Politics1 (2006).
  • Boorstin, Daniel J. The Image: A Guide to Pseudo-events in America. New York: Vintage, 1997.
  • Brown, Anthony. “The Murmur of Language.” 10 August 2015. Time’s Flow Stemmed. https://timesflowstemmed.com/2015/08/10/the-murmur-of-language/ .
  • Budd, Malcolm. “Hanslick, Eduard.” A Companion to Aesthetics. Oxford: Blackwell, 1995. 178-179.
  • Cage, John. Silence: Lectures and Writings. London: Marion Boyars, 1994.
  • Carr, Nicholas. The Shallows: How the internet is changing the way we think, read and remember. New York: W. W. Norton, 2010.
  • Chandler, Simon. “McMusic: When Records Don’t Sell Themselves, They Sell Everything Else.” 5 October 2015. The 405. https://www.thefourohfive.com/music/article/mcmusic-when-records-don-t-sell-themselves-they-sell-everything-else-144 .
  • Chang, Jeff. Can’t Stop Won’t Stop: A History of the Hip-Hop Generation. London: Ebury Press, 2007.
  • Chapman, Rob. Psychedelia and Other Colours. London: Faber and Faber, 2015.
  • Cohen, Stanley and Laurie Taylor. Escape Attempts: The Theory and Practice of Resistance in Everyday Life: The Theory and Practice of Resistance to Everyday Life. London: Routledge, 1992.
  • Conrad, Joseph. Under Western Eyes. n.d.
  • Cox, Franklin. “Politics and Compositional Aesthetics.” n.d. http://www.academia.edu/21342945/Politics_and_Compositional_Aesthetics .
  • Davis, Oliver. Jacques Rancière. Cambridge: Polity, 2010.
  • Debord, Guy. Society of the Spectacle. London: Rebel Press, 1992.
  • Dellutri, Tamara. “Poetry, Psychoanalysis and the Erotogenic of Language: Notes on Non-Sense.” Poetry Wales3 (2016). 44-50.
  • Denning, Michael. Noise Uprising: The Audiopolitics of a World Musical Revolution. London: Verso, 2015.
  • Dolar, Mladen. A Voice and Nothing More. Cambridge, MA: MIT Press, 2006.
  • Donne, John. Devotions upon Emergent Occasions. New York: Vintage, 1999.
  • “There is No Rift in Reality.” 22 February 2015. https://schizomedia.wordpress.com/2015/02/22/there-is-no-rift-in-reality/ .
  • Gilbert, Jeremy and Ewan Pearson. Discographies: Dance, Music, Culture and the Politics of Sound. London: Routledge, 1999.
  • Gill, John. Queer Noise. London: Cassell, 1995.
  • Hamilton, Andy. Aesthetics & Music. London: Continuum, 2007.
  • Hanslick, Eduard. “from On the Beautiful in Music.” Art in Theory 1815-1900: An Anthology of Changing Ideas. Ed. Charles Harrison and Paul Wood. Oxford: Blackwell, 1998. 479-483.
  • Harper, Adam. “Joy 2016.” 14 October 2016. 3hd Festival. http://www.3hd-festival.com/news/joy-2016-adam-harper .
  • Harper, Adam . “Vaporwave and the pop-art of the virtual plaza.” 12 July 2012. 21 December 2016. http://www.dummymag.com/Features/adam-harper-vaporwave .
  • Harper, Adam . “What Does “Experimental Music” Even Mean Anymore?” 8 May 2015. The Fader. http://www.thefader.com/2015/05/08/system-focus-experimental-music .
  • Harvey, David. A Brief History of Neoliberalism. Oxford: Oxford University Press, 2007.
  • Harvey, David. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Oxford: Blackwell, 1990.
  • Hayden, Ethan. Sigur Rós’s (). New York: Bloomsbury, 2014.
  • Hedges, Chris. Wages of Rebellion: The Moral Imperative of Revolt. New York: Nation, 2015.
  • Hewison, Robert. Cultural Capital: The Rise and Fall of Creative Britain. London: Verso, 2014.
  • Hewitson, Owen. “What Does Lacan Say About… Jouissance?” 3 July 2015. Lacan Online. http://www.lacanonline.com/index/2015/07/what-does-lacan-say-about-jouissance/ .
  • Hobsbawm, Eric. The Age of Revolution : Europe 1789-1848. London: Abacus, 1988.
  • Hullot-Kentor, Robert. Things Beyond Resemblance: Collected Essays on Theodor W. Adorno. New York: Columbia University Press, 2006.
  • Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism: Modernism, Mass Culture and Post-Modernism. Bloomington: Indiana University Press, 1986.
  • Huyssen, Andreas. Twilight Memories: Marking Time in a Culture of Amnesia. New York: Routledge, 1995.
  • James, Robin. “This is the Sound of Uncool: Spandau Ballet & the Biopolitics of Cool.” 12 April 2013. It’s Her Factory. http://www.its-her-factory.com/2013/04/this-is-the-sound-of-uncool-spandau-ballet-the-biopolitics-of-cool/ .
  • Jameson, Fredric. “Culture and Finance Capital.” Critical Inquiry1 (1997): 246-265.
  • Jameson, Fredric. “Postmodernism and Consumer Society.” Modernism/Postmodernism. Ed. Peter Brooker. Harlow: Pearson, 1992. 163-179.
  • Jameson, Fredric. Postmodernism: Or, the Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991.
  • Jameson, Fredric. “Reification and Utopia in Mass Culture.” Social Text 1 (1979): 130-148.
  • Jones, Rhian E. Clampdown: Pop-cultural wars on class and gender. Winchester: Zero, 2013.
  • Joyce, James. Ulysses. Oxford: Oxford University Press, 1993.
  • Lacan, Jacques. Écrits. Trans. Bruce Fink. New York: Norton, 2007.
  • Lasn, Kalle. Culture Jam: How to Reverse America’s Suicidal Consumer Binge – and Why We Must. New York: Harper Collins, 2000.
  • Lin, Brent. “Why Vaporwave Is Obsessed with Asia: High-Tech Orientalism From The Depths Of The Internet Underground.” 3 March 2017. http://brentlin.webflow.io/posts/vaporwave-and-high-tech-orientalism .
  • Lovecraft, H.P. The Call of Cthulhu and other Weird Stories. London: Penguin, 1999.
  • Lynskey, Dorian. 33 Revolutions Per Minute: A History of Protest Songs. London: Faber and Faber, 2010.
  • Neibergall, Will. “Tame Impala – Currents.” 2015. Tiny Mix Tapes. https://www.tinymixtapes.com/music-review/tame-impala-currents .
  • Newman, Barnett. “The First Man was an Artist.” Art in Theory 1900-2000: An Anthology of Changing Ideas. Ed. Charles Harrison and Paul Wood. Oxford: Blackwell, 2003. 574-576.
  • Newman, Barnett. “The Sublime is Now.” Art in Theory 1900-2000: An Anthology of Changing Ideas. Ed. Charles Harrison and Paul Wood. 2nd Edition. Oxford: Blackwell, 2003. 580-582.
  • Nietzsche, Friedrich. The Birth of Tragedy and Other Writings. Ed. Raymond Geuss and Ronald Speirs. Trans. Raymond Geuss. Cambridge: Cambridge University Press, 1999.
  • Nietzsche, Friedrich. Thus Spoke Zarathustra. London: Penguin, 1961.
  • Niven, Alex. Folk Opposition. Winchester: Zero, 2011.
  • Niven, Alex. “Perspective: Counterculture and Socialist Strategy.” 8 January 2016. http://crackmagazine.net/opinion/music/features/perspective-counterculture-and-socialist-strategy/ .
  • Vermeulen, Timotheus and Robin van den Akker. “Notes on metamodernism.” Journal of Aesthetics and Culture 2 (2010).

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